Melbourne's urban landscapes exude a distinctive aesthetic by juxtaposing the coziness of interior spaces with the harshness of external brutalist or grunge architecture, resulting in tangible realities.

 

The use of symmetry in architectural photography can create a striking visual impact, as it emphasizes the balance and order within a building's design. Symmetrical compositions can help draw the viewer's attention to specific features of a building, such as its facades, windows, or details.

 

Many famous architectural photographers have utilized symmetry in their work, including Julius Shulman, Hiroshi Sugimoto, and Ezra Stoller. One notable example is Andreas Gursky, who is known for his large-scale photographs of urban and industrial landscapes. In his work "99 Cent II Diptychon," Gursky uses symmetry to create a mesmerizing image of a discount store, with rows of identical products stretching out into the distance.

Symmetry has been a recurring theme in architectural photography throughout history. As famed architectural photographer Ezra Stoller once said, "Architectural photography is the presentation of the design, the essence of the structure, and the essence is best conveyed through symmetry."